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But if these are not the results you desire, be prepared to change YOUR behaviour, before you try to alter the dog's.Patience and commitment is key to training any behavior. When the behavior is complete, praise lavishly. Watch and catch them in the middle of sitting and say 'sit' and gesture. You have to be geared up to repeat the same order, day in and day out, and occasionally not get the same outcome. Try to be away from other voices. But that's reserved in the wild for only the most severe circumstances.At first the dog will have no idea why it's being praised but it doesn't matter as with repetition the behavior will follow the command. They will usually just endure the punishment without learning anything. As important is what he is not doing! In a sit dogs can't chase cats, knock over furniture, run into the street. - Believe that the dog can associate consequences across time and conditions, then draw the same conclusion you would.Repetition, consistency (reward only for the proper action), and enthusiasm will quickly lead to learning the 'sit'. It instills fear, not trust.Dog Training - Sit Command - Few behaviors are as fundamentally important as 'sit'. But dogs make choices very differently from people.After several repetitions try just using a 'waving down' hand movement, palm toward the floor or ground. Praise the dog lavishly.Patience is the number one required quality, therefore. With repetition comes understanding. Wait for the response. We can wsh it were so but it's not and never will be! Though the average grown dog has a mental development someplace approximately on the level of a human two year old, there are more deviations than there are similarities. The result is often a common catalogue of errors that can be, with more or less effort, headed off before they begin. It's totally counter-productive and won't help anyway. So, the dog hasn't evolved to understand why you're hitting them.When a dog sits he's more attentive, making it easier to follow commands. It also leads to behaviors like 'rollover' and 'crawl'. The latter they do only when they have no choice.First, take advantage of the dog's spontaneous behavior.If the dog backs up do the technique near the couch or a fence where he has nowhere to go. But they don't reason out or get context the way humans do. Physical punishment just isn't an effective training technique. You want the dog to associate the position with good feelings - his and yours.Encourage by taking a treat or toy.As a result, it can be frustrating to repeat the same command over and over, only to have the dog apparently

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Back in the Saddle reunion tour, Done with Mirrors , and drug rehab: 1984–1986

In 1984, Aerosmith embarked on a reunion tour entitled "Back in the Saddle", which led to the live album Classics Live II . While concerts on the tour were well-attended, it was plagued with several incidents, mostly attributed to drug abuse by band members. Their problems still not behind them, the group was signed to Geffen Records and began working on a comeback. Despite the band signing on to a new record company, Columbia continued to reap the benefits of Aerosmith's comeback, releasing the live companion albums Classics Live I and II and the collection Gems .

In 1985 the band released Done with Mirrors , their first studio album with Geffen and their first album since the much-publicized reunion. While the album did receive some positive reviews, it only went gold and failed to produce a hit single, or generate much buzz outside the confines of rock radio. The album's most notable track, "Let the Music Do the Talking", was in fact a cover of a song originally recorded by The Joe Perry Project and released on that band's album of the same name. Nevertheless, the band became a popular concert attraction once again, touring in support of Done With Mirrors , well into 1986. In 1986, Steven Tyler and Joe Perry appeared on Run D.M.C.'s cover of Aerosmith's "Walk This Way", a track blending rock and roll and hip hop that not only cemented rap into the mainstream of American popular music, but also marked Aerosmith's true comeback. The song reached #4 on the Billboard Hot 100 and its associated video helped introduce Aerosmith to a new generation.

Yet the band members' drug problems still stood in their way. In 1986, lead singer Steven Tyler completed a successful drug rehabilitation program, at the discretion of his fellow band members and manager Tim Collins, who believed that the band's future would not be bright if Tyler did not get treated. The rest of the band members also completed drug rehab programs over the course of the next couple years. According to the band's tell-all autobiography, Collins pledged he could make Aerosmith the biggest band in the world by 1990 if they all completed drug rehab. Their next album was crucial because of the commercial disappointment of Done With Mirrors , and as the band members became clean, they worked hard to make their next album a success.

Permanent Vacation and Pump : 1987–1991

Permanent Vacation was released in September 1987, becoming a major hit and the band's bestselling album in over a decade (selling 5 million copies in the U.S.), with all three of its singles ("Dude (Looks Like a Lady)", "Rag Doll", and "Angel") reaching the Top 20 of the Billboard Hot 100. The group went on a subsequent tour with labelmates Guns N' Roses (who have cited Aerosmith as a major influence), which was intense at times because of Aerosmith's new struggle to stay clean amidst GN'Rs well-publicized, rampant drug use.

Music sample:

"Janie's Got a Gun"

Sample of "Janie's Got a Gun" by Aerosmith , from Pump (1989) Problems listening to the file? See media help.

Aerosmith's next album was even more successful. Pump , released in October 1989, featured three Top Ten singles: "Janie's Got a Gun", "What It Takes", and "Love in an Elevator", as well as the Top 30 "The Other Side", re-establishing Aerosmith as a serious musical force. Pump was a critical and commercial success, eventually selling 7 million copies, achieving four-star ratings from major music magazines, and earning the band their first ever Grammy win in the category of Best Rock Performance by a Duo or Group with Vocal, for "Janie's Got a Gun". The recording process for Pump was documented in the video The Making of Pump , which has since been re-released as a DVD. The music videos for the album's singles were featured on the release Things That Go Pump in the Night , which quickly went platinum.

In support of Pump , the band embarked on the 12-month Pump Tour, which lasted for most of 1990. On February 21, 1990, the band appeared in a "Wayne's World" sketch on Saturday Night Live, debating the fall of communism and the Soviet Union, and performed their recent hits "Janie's Got a Gun" and "Monkey on My Back". On August 11, 1990, the band's performance on MTV's Unplugged aired. In October 1990, the Pump Tour ended, with the band's first ever performances in Australia. That same year, the band was also inducted to the Hollywood Rock Walk. In 1991, the band appeared on The Simpsons episode "Flaming Moe's" and released a box set titled Pandora's Box . In 1992, Tyler and Perry appeared live as guests of Guns N' Roses during the latter's 1992 world-wide pay-per-view show in Paris, performing a medley of "Mama Kin" (which GN'R covered in 1986) and "Train Kept-A Rollin".

Get a Grip and Big Ones : 1992–1995

The band took a brief break before recording their follow-up to Pump in 1992. Despite significant shifts in mainstream music at the beginning of the 1990s, the band's 1993 follow-up to Pump , Get a Grip , was just as successful commercially, becoming their first album to debut at #1 and racking up sales of 7 million copies in a two-and-a-half-year timespan. The first singles were the hard rocking "Livin' on the Edge" and "Eat the Rich". Though many critics were unimpressed by the focus on the subsequent interchangeable power-ballads in promoting the album, all three ("Cryin'", "Crazy" and "Amazing") proved to be huge successes on radio and MTV. The music videos featured then up-and-coming actress Alicia Silverstone; her provocative performances earned her the title of "the Aerosmith chick" for the first half of the decade. Steven Tyler's daughter Liv Tyler was also featured in the "Crazy" video. Get a Grip would go on to sell more than 7 million copies in the U.S. alone, and over 15 million copies worldwide. The band won two Grammy Awards for songs from this album in the category of Best Rock Performance by a Duo or Group with Vocal: for "Livin' on the Edge" in 1994 and "Crazy" in 1995.

During the making of Get a Grip , the management and record company brought in a variety of professional songwriting collaborators to help give nearly all the songs on the album more commercial appeal, a trend which would continue until the early 2000s. However, this led to accusations of selling out that would continue throughout the 90s. In addition to Aerosmith's grueling 18 month world tour in support of Get a Grip , the band also did a number of things to help promote themselves and their album and appeal to youth culture, including the appearance of the band in the movie Wayne's World 2 where they performed two songs, the appearance of the band and their music in the video games Revolution X and Quest for Fame , performing at Woodstock '94, using their song "Deuces Are Wild" in The Beavis and Butt-Head Experience , and opening their own club, The Mama Kin Music Hall, in Boston, MA in 1994. That same year saw the release of the band's compilation for Geffen Records, entitled Big Ones featuring their biggest hits from Permanent Vacation , Pump , and Get a Grip , as well as three new songs, "Deuces Are Wild", "Blind Man", and "Walk on Water", all of which experienced great success on the rock charts.

Nine Lives and "I Don't Want to Miss a Thing": 1996–2000

Music sample:

"I Don't Want to Miss a Thing"

Sample of "I Don't Want to Miss a Thing" by Aerosmith , from Armageddon (1998) Problems listening to the file? See media help.

Aerosmith had signed a $30 million contract with Columbia Records/Sony Music in 1991, but had only recorded three of their six contractual albums with Geffen Records at that point ( Done with Mirrors , Permanent Vacation , and Pump ). Between 1991 and 1996, they released two more albums with Geffen ( Get a Grip and Big Ones ), which meant they now had five albums with Geffen under their belt (along with a planned live compilation), which meant they could now begin recording for their new contract with Columbia . The band took time off with their families before working on their next album, Nine Lives , which was plagued with personnel problems, including the firing of manager Tim Collins, who, according to band members, nearly caused the band to break up. The alb

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