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Most times, they are not ignoring the command as much as failing to understand it. Hold off on food treats until you really need them. You want the dog to associate the position with good feelings - his and yours. As important is what he is not doing! In a sit dogs can't chase cats, knock over furniture, run into the street. But if these are not the results you desire, be prepared to change YOUR behaviour, before you try to alter the dog's. So, here's how NOT to train your dog:- Forget that your dog has a nature unlike yours. We can wsh it were so but it's not and never will be! Though the average grown dog has a mental development someplace approximately on the level of a human two year old, there are more deviations than there are similarities. Pull the leash loop with your foot, sliding it over your leg. But they don't reason out or get context the way humans do.Part of that patience means keeping your temper when you would like to lash out physically.Dogs, like humans, much more readily follow those they trust than those they fear.To command sit, stand and face the dog then make the command.Difficulty training 'sit' varies by breed, individual and training style.After several repetitions try just using a 'waving down' hand movement, palm toward the floor or ground. Dogs can be amazing at understanding spoken communication. It also leads to behaviors like 'rollover' and 'crawl'.Lets get one thing carved in stone right away - Dogs are not hairy fluffy kids.When the dog is in position, praise lavishly even though you executed the movement not the dog. At first, the dog will have no idea why you're so happy. Beyond the need to establish that you are the alpha (leader), it has a number of benefits. Some will get it fast, some will take ten or more or won't get it without further prompting. When the behavior is complete, praise lavishly. Fortunately, almost every dog can learn 'sit' quickly. But dogs make choices very differently from people. It's totally counter-productive and won't help anyway. Minimize noise and movement distractions during the training session. Punish them for not behaving the way you want.It also has practical benefits.With a treat or toy, face the dog and place it above his head and slightly behind the forehead, but still visible.Most dogs won't go own the first few times. Now bring out other techniques. It's easy to use physical punishment as the first route of correcting a dog's behavior. Praise the dog lavishly. For the slow learner or assertive dog, it may be necessary to use a collar and short leash - two to four feet is best - 'Sit' the dog and kneel down facing him. But they can be easily distracted, or fail to associate today's case of 'come' with yesterday's action and subsequent reward. Watch and catch them in the middle of sitting and say 'sit' and gesture. But that's reserved in the wild for only the most severe circumstances. Don't be harsh, but don't give up easily either. When a dog is 'down' it can't knock over furniture or children. Take special care with young hips - don't force a completely uncooperative dog this way.As a result, it can be frustrating to repeat the same command over and over, only to have the dog apparently ignore you.When a dog sits he's more attentive, making it easier to follow commands. The result

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A comic was also released based on the film Tintin et le lac aux requins .

• Tintin and the Lake of Sharks (1972)

Characters

Tintin and Snowy

Tintin is a young Belgian reporter who becomes involved in dangerous cases in which he takes heroic action to save the day. Almost every adventure features Tintin hard at work in his investigative journalism, but he is rarely seen actually turning in a story without first getting caught up in some misadventure. He is a young man of more or less neutral attitudes and is less colourful than the supporting cast. In this respect, he represents the everyman.

Snowy, a white Fox terrier, is Tintin's four-legged companion. They regularly save each other from perilous situations. Snowy frequently "speaks" to the reader through his thoughts (often displaying a dry sense of humour), which are supposedly not heard by the human characters in the story except in Tintin in America , wherein he explains to Tintin his absence for a period of time in the book.

Like Captain Haddock, Snowy is fond of the Loch Lomond brand of whisky, and his occasional bouts of drinking tend to get him into trouble, as does his arachnophobia. The French name of Snowy, "Milou," has nothing to do with snow or the color white. It has been widely credited as an oblique reference to a girlfriend from Hergé's youth, Marie-Louise Van Cutsem, whose nickname was "Milou".

Another explanation to the origins of the two characters is possible. The first 3 adventures of Tintin visit places originally visited by photographer-reporter Robert Sexé, recorded in the Belgian press from the mid to late 1920s. At that time Sexé had made numerous trips round the world on a motorcycle, in collaboration with Grand-Prix champion and motorcycle record-holder René Milhoux, and these trips were highly publicized at the time. Sexé has also been noted to have a similar appearance to Tintin, and the Hergé Foundation in Belgium has admitted that it is not too hard to imagine how Hergé could have been influenced by the exploits of Sexé. In 1996, a biography of Robert Sexé by Janpol Schulz was published, titled "Sexé au pays des Soviets" (Sexé in the Land of the Soviets) to mimic the name of the first Tintin Adventure.

Captain Haddock

Captain Archibald Haddock, a seafaring captain of disputed ancestry (he may be of English, French, or Belgian origin), is Tintin's best friend, and was introduced in The Crab with the Golden Claws . Haddock was initially depicted as a weak and alcoholic character, but later became more respectable. He evolves to become genuinely heroic and even a socialite after he finds a treasure captured by his ancestor, Sir Francis Haddock ( François de Hadoque in French), in the episode Red Rackham's Treasure . The Captain's coarse humanity and sarcasm act as a counterpoint to Tintin's often implausible heroism; he is always quick with a dry comment whenever the boy reporter seems too idealistic.

Captain Haddock lives in the luxurious mansion Marlinspike Hall ("Moulinsart" in the original French).

Haddock uses a range of colourful insults and curses to express his feelings, such as "billions of blue blistering barnacles," "ten thousand thundering typhoons," "troglodyte," "bashi-bazouk," "kleptomaniac," "ectoplasm," "sea-gherkin," "anacoluthon," and "pockmark," but nothing that is actually considered a swear word. Haddock is a hard drinker, particularly fond of Loch Lomond whisky, and his bouts of drunkenness are often used for comic effect.

Hergé stated that Haddock's surname was derived from a "sad English fish that drinks a lot." Haddock remained without a first name until the last completed story, Tintin and the Picaros (1976), when the name Archibald was suggested. Tintin and Alph-Art maintained this suggestion by having him introduce himself as such.

Supporting characters

Hergé's supporting characters have been cited as far more developed than the central character, each imbued with a strength of character and depth of personality which has been compared with that of the characters of Charles Dickens. Hergé used the supporting characters to create a realistic world in which to set his protagonists' adventures. To further the realism and continuity, characters would recur throughout the series. It has been speculated that the occupation of Belgium and the restrictions imposed upon Hergé forced him to focus on characterisation to avoid depicting troublesome political situations. The major supporting cast was developed during this period.

• Professor Cuthbert Calculus ( Professeur Tryphon Tournesol {Prof. Sunflower} in French), an Absent-minded professor and half-deaf physicist, is a minor but regular character alongside Tintin, Snowy, and Captain Haddock. Introduced in Red Rackham's Treasure , and based partially on Auguste Piccard , his appearance was initially not welcomed by the leading characters, but through his generous nature and his scientific ability he develops a lasting bond with them. He has a tendency to act in a very aggressive manner when someone says he's "acting the goat."

• Thomson and Thompson ( Dupont et Dupond ) are two bumbling detectives who, although unrelated , look like twins with the only discernible difference being the shape of their moustaches. They provide much of the comic relief throughout the series, being afflicted with chronic spoonerism, and are shown to be mostly incompetent in their tasks. The detectives were in part based on Hergé's father and uncle, identical twins who wore matching bowler hats.

• Bianca Castafiore is an opera singer whom Haddock absolutely despises. She seems to constantly be popping up wherever he goes, along with her maid Irma and pianist Igor Wagner. She is comically foolish, whimsical, absent-minded, and talkative, and seems unaware that her voice is shrill and appallingly loud. She knows no song except one derived from a play wherein she has acted, and sings this at the least provocation, much to Haddock's dismay. She tends to be melodramatic in an exaggerated fashion and is often maternal toward Haddock, of whose dislike of her she remains ignorant. She often confuses words, especially names, with other words that rhyme with them or of which they remind her; "Haddock" is frequently replaced by malapropisms such as "Paddock," "Harrock," "Padlock," "Hopscotch," "Drydock," "Stopcock," "Maggot," "Hammock," and "Hemlock," while Nestor, who is Haddock's butler, is confused with "Chestor" and "Hector." Her own name means "white and chaste flower," a meaning to which Prof. Calculus refers when he offers a white rose to the singer in The Castafiore Emerald . She was based upon opera divas in general (according to Hergé's perception), Hergé's Aunt Ninie, and, in the post-war comics, on Maria Callas.

• Other recurring characters include Nestor the butler, General Alcazar the South American dictator, Jolyon Wagg an (to Haddock) infuriating insurance salesman, Kalish Ezab the Arab emir, Abdullah the emir's mischievous son, Chang the loyal Chinese boy, Dr. J.W. Müller the evil German doctor, Cutts, a local butcher that is repeatedly called by accident by Haddock and phone number is repeatedly mixed up with Haddock's, and Rastapopoulos the criminal mastermind. No young women feature as any main or side characters, and in fact only occasionally feature in the background.

Settings

The settings within Tintin have also added depth to the strips. Hergé mingles real and fictional lands into his stories, along with a base in Belgium from where the heroes set off. This is originally 26 Labrador Road, but later Marlinspike Hall. This is best demonstrated in King Ottokar's Sceptre , in which Hergé creates two fictional countries (Syldavia and Borduria) and invites the reader to tour them in text through the insertion of a travel brochure into the storyline. Other fictional lands include San Theodoros, San Paolo, and Nuevo Rico in South America, the kingdom or administrative region of Gaipajama in India, and Khemed in the Middle East. Along with these fictitious locations, actual nations were employed such as Belgium, Germany, Switzerland, Scotland, England, Soviet Union, United States, Congo, Peru, India, Egypt, Sahara Desert, Indonesia, Nepal, Tibet, China, and Japan. Another setting was the Moon, and in the first edition of Land of Black Gold , Palestine, though this was later replaced by the fictional Khemed.

Creating the works

Research

Hergé's extensive research began with The Blue Lotus , Hergé stating: "it was from that time that I undertook research and really interested myself in the people and countries to which I sent Tintin, out of a sense of responsibility to my readers".

Hergé's use of research and photographic reference allowed him to build a realised universe for Tintin, going so far as to create fictionalised countries, dressing them with specific political cultures. These we

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